This morning I woke (before 5:00) to rain. We haven't seen that here in a long time, but since we are getting irrigation tonight it came as no real surprise.... <g>
Soon I will get to work this morning binding. While I always enjoy the handwork part (and finished the first one last evening) I can't continue on the rest of the set until I attach their bindings (by machine) to them. Just waiting until my coffee kicks in!
His gift from me will definitely come in handy when he heads up to Flagstaff this weekend to snowboard, when (after this current storm front) conditions should be considerably better than his first trip of the season a couple of weeks ago.
As unlikely as it sounds, “The Surgeon’s Cut” is really about artists. Their métier may be on the margins of medical science—heart transplants, brain surgery, liver grafting, procedures inside the womb—but their personalities are as large, singular and even eccentric as the most “creative” individuals. They possess the same kind of vision and the same kind of drive. What they manage to do is create miracles.
Documentaries often succeed, rightly or wrongly, on the basis of how sympathetic their characters are. Each of the principals in “The Surgeon’s Cut” could be reciting an actuarial table and still be fascinating, but the things that they do explain, in clean, uncluttered fashion, are almost otherworldly. Kypros Nicolaides, the star of episode 1 “Saving Life Before Birth", is based at King’s College Hospital in London, where one of his specialties is endoscopic laser surgery on fetuses suffering “twin-to-twin transfusion syndrome”: One twin is getting too little blood, which means it is not developing; the other is getting too much, which means a strain on its heart. What Dr. Nicolaides does—through a lens we get to share—is breathtaking, and nerve-racking and not always 100% successful. But the efforts are, by definition, heroic. Likewise, Dr. Nicolaides.
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